1. Full name: Hoang Thi My Nhi                                      2. Sex: Female

3. Date of birth: 23/01/1981                                           4. Place of birth: Thua Thien Hue

5. Admission decision number: 2798/2012/QĐ-XHNV-SĐH on 28th December 2012 by the Rector of Hanoi University of Social Sciences and Humanities.

6. Changes in academic process: None

7. Official thesis title: The aware aesthetic in Japanese literature through The Tale of Genji by Murasaki Shikibu and Thousand Cranes by Kawabata Yasunari   

8. Major: Foreign Literature                                9. Code: 62 22 01 20

10. Supervisors: Prof. PhD. Nguyen Duc Ninh

11. Summary of the new findings of the thesis:

- Covering important theoretical matters and the literature review of studying Japanese aesthetic in general and aware aesthetic in The Tale of Genji and Thousand Cranes in particular.

- Pointing out the development of aesthetics in ancient and modern times and a new approach to aesthetics through literature and vice versa.

- Clarifying the basic and inheritance characteristics of aware aesthetics in The Tale of Genji and Thousand Cranes and pointing out deeply affecting of aware aesthetics in literary life from the past to the modern time.

- Indicating innovations of aware aesthetics by comparing the case of the The Tale of Genji and Thousand Cranes and showing the Kawabata's ingeniousness variable in his absorption of Japanese culture reflecting aware aesthetics in Thousand Cranes.

12. Practical applicability, if any:

The research results can be used to compile references in this field for students of foreign literature.

13. Further research directions, if any:

- Studying classical and modern Japanese literature.

- Studying classical and modern Japanese aesthetics.

14. Thesis- related publications:  (List in chronological order)

[1]. Hoang Thi My Nhi (2011), “The beauty in The Tale of Genji by Murasaki Shikibu”, Vietnam Review of Northeast Asian (7), pp.73-78.

[2]. Hoang Thi My Nhi (2012), “Aware aesthetics with natural beauty in The Tale of Genji by Murasaki Shikibu”, Vietnam Review of Northeast Asian (8), pp.67-75.

[3]. Hoang Thi My Nhi (2016), “Sense of nature in Thousand Cranes by Kawabata Yasunari from the traditional view”, Vietnam Review of Northeast Asian (3), pp.74-80.

[4]. Hoang Thi My Nhi (2016), “Worldview of Kawabata Yasunari looks from sense of impermanence in Thousand Cranes”, Culture and Art studies  (383), pp. 75-79.

[5]. Hoang Thi My Nhi (2016), “Kawabata Yasunari's meditative feeling looks from the concept of the world and people in Thousand Cranes”, Vietnam Review of Northeast Asian  (7), pp. 74-78.

[6]. Hoang Thi My Nhi (2017), “Aware aesthetics in Japanese aesthetics conception”, Culture and Art studies (391), pp.109-113.

[7]. Hoang Thi My Nhi (2017), “Symbols in Thousand Cranes under the psychoanalytic perspective”, Culture and Art studies (396), pp. 74-76.

[8]. Hoang Thi My Nhi (2017), “Impression of existentialism in Thousand Cranes by Kawabata Yasunari”, Literature studies (8), pp.99-105.